It is clear that, in these modern times, film and TV industry h?s experienced a huge transformation. The global media landscape was completely reshaped, since the r?pid increase of c?ble and s?tellite television and online n?tworks, empowered by progressively developed digital technologies ?nd the rising access of inexpensive communic?tion s?tellites. Moreover, digital glob?lization has assured that media content is delivered instantly and bro?dly available in a homogeneous form?t – in the form of sound, text, motionless and moving pictures and databases. The glob?lization of the economy h?s h?d a major imp?ct on all cultur?s. ?ccording to UNCT?D (2008) glob?l film market, is estimated to be worth $60 billion annually and is dominated by ?merican film products. The importance to understand that industry h?s changed during the y?ars may se?m obvious, though it’s not e?sy to ?dapt and create a new potenti?l strategy, which will take a young filmm?ker into the field. That is to say, nowadays m?ny young and talented filmm?kers, who have a gre?t desire to enter and prosp?r in the film industry, often forget ?bout common hurdles w?iting for them. Th?y often sh?re a f?w common qu?lities – insecurity and fe?r of rej?ction. Unfortunately, it’s not ?n option for those who wish to work in the industry. ?bilities, which will le?d to progr?ssion, l?y ?t the opposite side – le?rning, underst?nding and knowing how. So, it is essenti?l to perceive the nature of change in the film and TV industry, as it might help to d?cid? which strategies could succ?ed. The convergence of digitalization ?nd glob?lization signifies that some ?lterations in str?tegies must be reassessed, keeping in mind that we are the very early ph?ses of this phenomenon, increased opportunities ?re yet at st?ke. The new er? of glob?lization also cre?tes ch?llenges. By making In this ?ssay I will discuss both sides of the arguments.